She had no idea how he had come to possess the photograph-and had certainly not granted permission for her image to be used on his album cover. Across her forehead was scrawled his name “ARIEL,” and beside her face the word “STINKS.” The cover art was credited to visual artist Michael Rashkow its subject remained unnamed.ĭuring lockdown, Miller came across her own face on Pink’s record sleeve, and was confused. In 2006, musician Ariel Pink released Thrash and Burn, a 36-track compilation of his late-‘90s lo-fi experiments, its cover featuring a close-up image of Miller’s face. But why do that, she reckoned, when, as an artist, she could respond with an art project?
Calling it out online maybe, or even bringing suit.
When Jill Miller found a photograph of her face had been used without her consent on an Ariel Pink album cover, she could have addressed the violation in any number of ways.
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